Maston - Messages from Tyler T. Williams on Vimeo.
Messages by Maston.
From the debut album ‘Shadows’ released via Trouble In Mind Records February 12th.
troubleinmindrecs.com/catalog.htmlDirector, Cinematographer, VFX, & Editor: Tyler T. Williams
Starring: Nathan Steiner
Canon Marketing Film - Istanbul, shot on the new 60D from Georgina Lloyd Parry on Vimeo.
The European Marketing Demonstration Video for Canon Cameras, Europe. Shooting with the pre-release prototype 60D DSLR camera, on location in Istanbul, Turkey.
Times Like This from Sertac Yuksel on Vimeo.
Shot over a couple of days on the streets of Istanbul. I took my camera, strolled through the streets alone and had a great time with the help of summer and a real life outside.
Thanks
550D
Canon 50mm 1.8
Tokina 11-16 2.8
Song : Jack Johnson - Times Like These
A-Trak & Tommy Trash - Tuna Melt from Pomp&Clout on Vimeo.
Directed by Ryan Staake
Dominos & Kinetics: Kinetic King (Tim Fort)
Production Companies: Pier Pictures and Pomp&Clout
Directors of Photography/Steadicam: TS Pfeffer & Robert McHugh
Gaffer/AC/DIT: Jacob Ritley
Post Production: Pomp&Clout
Sound Design: Aaron Wallace
RED Epic: CSLAShot at The Ohage House, St. Paul, MN (ohagehouse.com)
Arrow Wireless HDMI transmitter graciously provided by Paralinx (paralinx.net)Behind The Scenes: vimeo.com/63639962
JARANA INVIERNO ´012/13 from Jarana on Vimeo.
Otoño-Invierno 2012-13
Featuring music by Riki Buckingham
Ibiza Lights III from Jose A. Hervas on Vimeo.
Por favor ver en pantalla completa y en HD, y subir el sonido.
Please view full screen with HD on and volume loud if possible.Music: AudioMachine itunes.apple.com/es/album/epica/id535899602
Follow Facebook: facebook.com/JoseAHervas
Follow Twitter: twitter.com/#!/JoseHervasMora
Web: ibizalights.com
Contact: ibizalights@gmail.comLos preciosos atardeceres de Ibiza y su espectacular cielo lleno de estrellas al paso de la Vía Láctea son algunos de los protagonistas de mi nuevo vídeo Ibiza Lights III.
Ibiza Lights III es el último capítulo de la serie Ibiza Lights y, como en anteriores trabajos, se mantiene mi intención de mostrar Ibiza desde un punto de vista que normalmente no se ofrece de la isla.
Ha sido un excelente año repleto de viajes a nuevos lugares, oportunidades y experiencias, que me han brindado la posibilidad de conocer a grandes fotógrafos del timelapse como Dustin Farrel, Enrique Pacheco o Daniel López.
Gracias a mi anterior vídeo, Ibiza Lights II, he visto reconocido mi trabajo y eso me ha dado fuerzas para seguir creando timelapses.
Las imágenes fueron hechas con una Canon 5D Mark II y Canon 5D Mark III he utilizado los objetivos de Canon 16-35mm, Canon 24-70mm, Nikon 14-24mm. La mayoría de las tomas nocturnas fueron hechas en F/2.8, ISO 1600, 3200.
Para el movimiento he usado una gran herramienta: el slider de Dynamic Perception.
Para las puestas de Sol he utilizado la aplicación para iPhone PhotoPills, con la cual es posible planificar las tomas, y con la que puedes visualizar la trayectoria de sol y luna en realidad aumentada.
Para compensar las luces en los amaneceres y atardeceres he utilizado el software LrTimelapse.
Si estas interesado en la licencia de mis clips o hacer algun trabajo timelapse, contacteme
………………………………………………………………………………………………………………………………………………………………
The breathtaken sunsets of the island of Ibiza and its spectacular star-filled sky with Milky Way are some of the main characters of my new video Ibiza Lights III.
Ibiza Lights III is the last video in the Ibiza Lights series and, as in previous works, my intention remains the same: to show Ibiza from a point of view that is usually not shown.
It’s been an excellent year for me, full of trips to new places, opportunities and experiencies that have given me the chance to meet great timelapse photographers like Dustin Farrel, Enrique Pacheco or Daniel López.
Thanks to my previous video, Ibiza Lights II, I’ve seen my work recognized and that has given me the strength to continue creating new timelapse videos.
All images were made using a Canon 5D Mark II, a Canon 5D Mark III and Canon 16-35mm, Canon 24-70mm, Nikon 14-24mm lens. Most of night shots were taken with the aperture F/2.8 and ISO 1600, 3200.
The camera movement was achieved using a great tool: the Dynamic Perception slider.
I have used the iPhone app PhotoPills to plan the shots and sunsets, and also to predict the Sun&Moon paths using its augmented reality viewers.
I also employed LrTimpelapse software to compensate exposure in sunrise and sunset shots.
If you would like to license any of my clips or hire me to shoot timelapse for you, please be in touch.
Thanks to:
Photopills: https: photopills.com
Alda Ólafsson caladeloshumos.wordpress.com
Isleña: thebeerofibiza.com
LrTimelapse: lrtimelapse.com/
DynamicPerception: dynamicperception.com/
Everything I Can See From Here from The Line on Vimeo.
A game of football turns deadly as an uninvited player joins in
Directed by Sam Taylor and Bjorn Aschim for The Line
Produced by Fritzi Nicolaus
Sound & Music by Box of Toys Audio
This film was made over the last two years in our evenings, weekends and days off. We had no budget but a lot of help from our very talented and generous friends. Find links to their websites below.
Animation
Sam Taylor samtayloranimation.blogspot.co.uk
Bjorn-Erik Aschim bjornsportfolio.com
Adam Hodgson AdamTheNog.Tumblr.com
Alexander Petreski vimeo.com/user1621759
Dante Zaballa podoboo.com.ar
Geoff King vimeo.com/user423106
Hozen Britto hozenbritto.blogspot.co.uk
James Duveen jamesduveen.com
Jim Round jimround.tumblr.com
Kristian Antonelli kristianantonelli.blogspot.co.uk
Tim McCourt messytimbo.blogspot.co.uk
Wesley Louis librabear.blogspot.co.uk3D Modelling and Rigging
David Hunt linkedin.com/pub/dave-hunt/2/276/653D Modelling
Max Taylor maxtaylordesign.com3D animation
Max James van der Merwe vimeo.com/jamesvdmBackgrounds
Bjorn-Erik Aschim bjornsportfolio.comCompositing
Bjorn-Erik Aschim bjornsportfolio.com
Sam Taylor samtayloranimation.blogspot.co.ukCleanup
Adam Hodgson AdamTheNog.Tumblr.com
Beth Witchalls pufflingsplace.blogspot.co.uk
Caspar Rock
Clarice Elliott vimeo.com/user885076
Denise Dean denise.dd-designs.co.uk
Freya Hotson vimeo.com/user2647473
Hozen Britto hozenbritto.blogspot.co.uk
Hugh La Terriere hughlaterriere.com
Isobel Stenhouse isobelstenhouse.blogspot.co.uk
Jessica Toth jesscato.com
Jose Saturno
Stewart Wagstaff stewwaggie.blogspot.co.uk
Tom Loughlin tomloughlin.co.ukMaking of
Luke James lukejames.co.uk
Owen Philips breadcollective.co.ukWebsite
Tom Loughlin tomloughlin.co.ukSpecial Thanks
Our Ma’s and pa’s
Jerry Fleming
Chris King videocircuits.blogspot.co.uk
Andrew Lim Clarkson facebook.com/andrew.l.clarkson
June Frangue junefrangue.com
and Winnie facebook.com/winnie.wadelimThe Line Studio
thelineanimation.com
Gorillaz & Bobby Hebb —- Too Sunny from Betül Etik on Vimeo.
music video project for school…
Jimi Hendrix - Electric Ladyland - Voodoo Chile from Jubal Harshaw on Vimeo.
☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼
Artist: Jimi Hendrix
Album: Electric Ladyland
Track: Voodoo Chile
☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼ ☼From Wikipedia, the free encyclopedia
Not to be confused with Voodoo Child (Slight Return)…“Voodoo Chile” is a song written by Jimi Hendrix and recorded in 1968 for the Jimi Hendrix Experience album Electric Ladyland. The song is Hendrix’s longest studio recording and features additional musicians in what has been described as a “studio jam”. “Voodoo Chile” is based on earlier blues songs and became the basis for Hendrix’s “Voodoo Child (Slight Return)”, “one of Jimi Hendrix’s best-known and influential songs”.
“Voodoo Chile” evolved from “Catfish Blues”, a song which Hendrix performed regularly during 1967 and early 1968. “Catfish Blues” was a homage to Muddy Waters, made up of a medley of verses based on Waters’ songs, including “Rollin’ Stone”, “Still a Fool”, and “Rollin’ and Tumblin’”. In April 1968, Hendrix recorded a number of solo demos in a New York hotel, including an early “Voodoo Chile”, which “he’d been refining privately for some months”. It used elements of “Catfish Blues” with new lyrics by Hendrix and included a vocal and guitar unison line.
“Voodoo Chile” has been called “virtually a chronological guided tour of blues styles” ranging from early Delta blues, through the electric blues of Muddy Waters and John Lee Hooker, to the more sophisticated style of B.B. King, and the “cosmic blurt” of John Coltrane. Lyrically, the song is “part of a long, long line of supernatural brag songs”.
Hendrix’s song opens with:
Well the night I was born, Lord I swear the moon turned a fire red (2X)
Well, my poor mother cried out, ‘Lord, the gypsy was right’, an’ I see’d her fell down right dead …“Hoochie Coochie Man”, the Muddy Waters/Willie Dixon blues classic, opens:
The gypsy woman told my mother, before I was born
‘You got a boy child comin’, goin’ be a son of a gun’ …In later verses, Hendrix “gives them an individual twist with his references to ‘the outskirts of infinity’ and ‘Jupiter’s sulfur mines’”.
Recording
=========
During the Electric Ladyland recording sessions at the Record Plant, Hendrix and the band often explored the New York City club scene and frequently jammed with the performers. After one such jam at the nearby Scene Club, Hendrix brought a group of twenty or so back to the studio, including Steve Winwood, Jack Casady, and Larry Coryell. Hendrix proceeded to record “Voodoo Chile” with Mitch Mitchell (drums), Winwood (organ), and Casady (bass) (Coryell was invited to play, but declined, feeling that the music did not need him). A number of hangers-on were also present, who provided the ambient crowd noise.Steve Winwood recalled “There were no chord sheets, no nothing. He [Hendrix] just started playing. It was a one-take job, with him singing and playing at the same time. He just had such mastery of the instrument and he knew what he was and knew his abilities”. Engineer Eddie Kramer saw it differently: “The idea that these jam sessions were informal is something that I completely disagree with. They may have seemed casual to the outside observer, but Jimi plotted and planned out nearly all of them. He’d reason that if he had his songs together, if he really wanted to pull out what he heard in his head, he needed the right people … and that’s what he did”.
Recording began about 7:30 a.m. and three takes were recorded. During the first take, Hendrix showed the others the song while the recording equipment was adjusted. During the second take, Hendrix broke a string (these two takes were later edited together and released as “Voodoo Chile Blues” on the posthumous Hendrix compilation album Blues). The third take provided the master that was used on Electric Ladyland.
“Voodoo Chile” opens with a series of hammer-on notes, similar to Albert Collins’ intro to his “Collins Shuffle”. Hendrix played through a Fender Bassman head, providing a “very warm” amp sound with his guitar tuned down a whole tone. Although Hendrix “remains the focal point throughout ‘Voodoo Chile’”, the other musicians make contributions, taking it beyond the blues. Winwood “created a very English, hornpipe-like dance that was very Traffic-like”, with Mitchell deftly responding to changes in direction and Casady “laying down the groove.”
Hendrix wanted to create the atmosphere of an informal club jam, but “the noise level generated by those who had observed the session was not sufficient”. So ambient crowd sounds were recorded from 9:00 a.m. to 9:45 a.m. and added to the track. Hendrix and Eddie Kramer later mixed the track, adding tape delay and other treatments.
DiSCLAiMER
==========
I personally claim ownership to nothing contained within this video. All audio and visual elements are exclusively the properties of the respective copyright holders.
KARREO soundtracks 2013 from Karreo on Vimeo.
karreo.com - soundtracks producer
Soundtracks team : VINCENT (STRUGG), POL, STELIAN, JEFF K-RAY (MIND)
Moviemakers : SIMON MESNARD, DENIS ALENTI, TOM MALECHA, JONATHAN HOTTART, NICOLAS AUGERThanks to Simon Mesnard & Tom Malecha advicing the editing. Jeff
Bloontz, Bloontz, Arena, US Southrn Hard Phych Rock (by lonelycitydays)
Michael Quatro”Adagio”1976 US Prog Rock (by John Dug)
Maharishi Mahesh Yogi in Athens Greece from Dimitrios Glykas on Vimeo.
rajaraam.org Mahesh Yogi blessed Athens and all of Greece with his presence, during his traveling around the globe for the establishment of the Spiritual Rejuvenation Movement of the World, for a problem free society.
The 13th Floor Elevators - Music of the Spheres (vinyl boxset being manufactured) from Charly Records on Vimeo.
After the fantastic reception given to the Sign of the Three Eyed Men CD box set, which sold out so quickly, pre-sales are now starting from the International Artists Records website only, a fitting, strictly limited vinyl tribute to the Elevators.
Includes much content which will only be available in this edition.
The box set includes:
• Three gatefold double and two single albums all pressed on heavyweight vinyl
• The best sound quality ever for Elevators’ vinyl releases
• Strictly limited to a maximum of 3000 sets, shipping around late July
• A 36 page new edition of Paul Drummond’s book Sign of the Three Eyed Men in twelve inch format
• Three exclusive 3D lenticular prints of the key album’s artworks • An 10 inch EP containing the rare Bob Sullivan mixes from The Psychedelic Sounds of…FULL CONTENTS:
Unique Features of Music of the Spheres
The first releases on vinyl of two albums Headstone, the band’s planned first album which was never released at the time and Live in California - The Avalon Recordings. These vinyl albums will only be available in this package.The first official vinyl release of A Love That’s Sound, the group’s lost third album, now featuring a recently discovered and never previously heard track Some Day, My Love, which was originally intended as the 6th single.
Three stunning 8 inch (200cm) 3D lenticular prints of the album artwork for The Psychedelic Sounds of, Bull of the Woods and Easter Everywhere.
The Sumet Sounds Masters EP, a six track 10 inch EP of Bob Sullivan’s original stereo ‘desk mixes’ of 5 tracks from The Psychedelic Sounds of recordings plus the highly desirable early version of the band’s second single Reverberation from an acetate, only previously available on the long sold out Sign of the 3 Eyed Men CD box set . This disc will only be available in this package.
A limited edition numbered certificate of authenticity.A strong thirteen inch square hard box, featuring a unique 3D lenticular cover image of the iconic Zebra man artwork which was used on a poster advertising the band’s performance at the Avalon Ballroom.
A 2-LP gatefold sleeve edition of The Psychedelic Sounds of, mastered from the original tape source. Album one is the mono edition; album two the original stereo mix and thus different to the version on Sign of the Three Eyed Men. This, as for Easter Everywhere and Bull of the Woods below is the first vinyl reissue from the original tape sources of the stereo editions for over three decades. Album two is the first ever vinyl pressing of the album in the band’s intended running order.
A 2-LP gatefold sleeve edition of Easter Everywhere, mastered from the original tape source. Album one is the mono edition; album two the original stereo mix. This is the first official mono reissue of the album since 1967.
A 2-LP gatefold sleeve edition of Bull of the Woods/A Love that’s Sound. This is the first release on vinyl for the latter and it contains a recently discovered and never-heard before version of Some Day My Love, the song originally scheduled as the band’s 6th single
The first ever vinyl release of the band’s unreleased first album Headstone. The first official vinyl release of Live in California-The Avalon Recordings
The Sumet Sounds Masters EP, a six track 10 inch EP of Bob Sullivan’s original stereo ‘desk mixes’ of 5 tracks from The Psychedelic Sounds of recordings plus the highly desirable early version of the band’s second single Reverberation from an acetate, only previously available on the long sold out Sign of the 3 Eyed Men CD box set . This disc will only be available in this package.
Stunning 8 inch (200cm) 3D lenticular prints of the album artwork for The Psychedelic Sounds of, Bull of the Woods and Easter Everywhere. A 36 page full colour revised edition of Sign of the Three Eyed Men the book by Paul Drummond, packed with rare band memorabilia and photos, which traces the strange history of the band A limited edition numbered certificate of authenticity. This package is a limited edition which is available only from the International Artists website.For more info go to: internationalartistsrecords.com/13th_floor_elevators_music_of_the_spheres.html
and to buy, go to: burningshed.com/store/internationalartists/product/295/2903/
Small Faces - Kenney Jones discusses the ‘Ogdens’ Nut Gone Flake’ re-masters from Charly Records on Vimeo.
Following the Small Faces’ long overdue induction into the Rock and Roll Hall of Fame in April 2012, Charly Records and its distribution partner Snapper Music will be rolling out definitive editions of the band’s classic recordings for Immediate Records.
These new Re-Masters editions are issued with the full blessing and co-operation of the surviving members, Kenney Jones and Ian McLagan, and represent the fruits of five years’ work in tracking down and restoring long lost original tapes and presenting them at last in the manner the band deserves, sounding more fresh and dynamic than ever.
“This is the Small Faces as they should be heard,” says Kenney Jones. “The band lived through explosive times – and every bit of that intensity found its way onto these records.”
The Small Faces were at the heart of the Swinging London scene of the late 1960s and encapsulated everything that was fast and fabulous in that great decade. Featuring the extraordinary Steve Marriott and Ronnie Lane alongside Jones and McLagan the band in a short sharp career moved from beat to mod, and psychedelia to soul leaving a legacy of great songs and a unique style.
The band’s finest hour is arguably OGDENS’ NUT GONE FLAKE from May 1968. This groundbreaking album will be released in a strictly limited numbered deluxe vinyl edition on April 16th in its distinctive round sleeve.
21st May will see the release on a the definitive 3-CD edition of OGDENS’ in a round cardboard box featuring both the original mono and stereo versions and an additional disc of unreleased rarities and alternative versions
The band’s debut album for Immediate, ‘Small Faces’ will be available from May 7th in a special 2-CD rigid digibook edition. This includes both the original stereo and mono versions and no less than 17 bonus tracks .
All the above three packages are now available to pre-order for the world excluding the UK from the official Immediate records website immediate-records.com.
Alongside these highly regarded albums, the Small Faces were also known for a string of singles which have stood the test of time . To celebrate the band’s Rock and Roll Hall of Fame induction limited 7” picture sleeve editions of ‘Itchycoo Park’ and ‘Tin Soldier’ will be made available for Record Store Day on April 21st, from top independent record retailers around the world.
These releases are only the beginning of the campaign to present the very best of the Small Faces, sounding and looking better than ever before. Go to thesmallfaces.co.uk or immediate-records.com for latest news including the plans, as they emerge, for a definitive box set crammed full of unreleased material and other goodies.
For more information, visit the Immediate Records website at: immediate-records.com
or visit the Immediate store at: burningshed.com/store/immediate/
